Sunday, December 23, 2007

the ten albums that changed my life

ripped from my article at Intrepid Media

10. Rio (Duran Duran, released 5/10/83)

Was Duran Duran the best male pop band of the 1980s? Probably not. But they were the best looking, their videos were the most adventurous and they had the catchiest songs -- even if none of them made any sense. I have just described everything that mattered in the '80s. The three-headed Taylor crew (drummer Roger, guitarists Andy and John), androgynous synth wiz Nick Rhodes, and charismatic front man Simon LeBon were focused and ready to take over the world. This album launched their superstardom and is the solitary reason why everytime I find myself sitting at the front of a boat, I feel compelled to yell, "HER NAME IS RIO AND SHE DANCES ON THE SAND!" Seriously.

Songs you should know: Rio, Hungry Like the Wolf, Save A Prayer

9. Raising Hell (Run-DMC, rel. 7/18/86)

Sometimes it's best to have your back placed firmly against the wall. After two pretty successful albums, childhood friends Joseph "Run" Simmons and Darryl "DMC" McDaniels had reached a pivotal crossroad: commercialize their music by merging further with rock, or stay true to the hip-hop culture of the streets of New York. What resulted was enough of both to make everyone happy, and arguably the most important album in rap history. They singlehandedly made a conservative MTV (yeah, I know) open the doors to rap music and set a bar for cohesion that even they couldn't live up to. There is nothing on this album to add or subtract. It is, as one of the songs on the album states, perfection. RIP Jam Master Jay.

Songs you should know: Walk This Way, My Adidas, Peter Piper

8. It Takes A Nation of Millions to Hold Us Back (Public Enemy, rel. 4/19/88)

You will never understand how much I needed this album. The Bomb Squad's production, layered with multiple samples per song in the days before you had to pay for them, was fiery, relentless and unprecedented. ("Rebel Without A Pause" is the dopest beat ever made, period.) Chuck D wasn't even the best rapper on his own label (scroll down to album #5), but his threats felt like promises and his arguments were indisputable. And long before he became better known as the buffoonish headliner of several VH-1 dating reality shows, Flavor Flav was the buffoonish sidekick to the most influential rap group of its' time. But Flav never changed, the times changed. Without his mercurial court jester, the whole thing would've never worked.

Songs you should know: Don't Believe the Hype, Bring the Noise, Night of the Living Bassheads

7. Abbey Road (The Beatles, rel. 9/26/69)

The last Beatles album recorded (though not the last released), the bickering Fab Four had agreed to play nice long enough to end on a positive note. This is their funkiest album and also their most sublime. Abbey Road is the CD I play for my Beatle-hating friends without telling them who it is. Inexplicably, after nodding their head in agreement for minutes, they will ask who's playing, at which point, I will smack them over the head with a picture of Paul McCartney and storm out of the room. "Because" has some of their best harmonies ever. "You Never Give Me Your Money" is just amazing. I liked "Something" enough to put it on my wedding favor mix CD. And I liked the album enough to parody its famous cover on our wedding CD's cover.

Songs you should know: Come Together, Something, Here Comes the Sun

6. Purple Rain (Prince & the Revolution, rel. 6/25/84)

Despite my constant, romanticized comments about the greatness of the 1970s, so far we are seeing where my heart really lies. We will never see the likes of Mr. Prince Rogers Nelson again: part Hendrix, part James Brown, part Dylan, part Sly Stone, and still somehow completely, unabashedly original. I was more a Michael kid than a Prince kid, but the power of this soundtrack (and the accompaying movie, which still moves me despite its glaring flaws) was undeniable. The seamless blend of rock, soul, power ballads and synthesizers was mind blowing then, as it is still is today.

Songs you should know: Let's Go Crazy, Purple Rain, When Doves Cry


5. Bigger and Deffer (LL Cool J, rel. 7/1/87)

"I don't run from the cops/Makin' suckers jock/And I'm only 18/Makin' more than your pops."

Like OutKast's ATLiens, this was the risky sophomore album that could've killed his career. But the gamble paid off and it paid off so violently, that 19-year-old James Todd Smith became the reason I wrote my first rap. I've heard quotes from Bob Dylan fans who say that his songs were clues on how to live your life. Yeah, that's pretty much what happened to me with Bigger and Deffer.

On the very first song, "I'm Bad", his confidence is so adamant, it's infectious. What other song begins with "No rapper can rap quite like I can/I'll take a musclebound man and put his face in the sand?" He delivers well-written, imaginative tale after the other: the all-purpose girlfriend of our dreams in "Kanday," the ins and outs of a run-down local haunt ("The Bristol Hotel"), a vain but witty day-in-the-life excerpt ("The Do Wop"). We all know that rap and testosterone are nearly inseparable. But on track 9, he did the unthinkable. He made a soft rap love song (the legendary "I Need Love") with such gravity that even the haters had to sing along. It was a difficult balance. Go back and listen to Big Daddy Kane's attempts to cover similar ground. They sounded ridiculous, even back then, and precipitated his demise. LL's wild brashness made you want to reach the moon as well. Still does, in fact, 20 years later.

Songs you should know: I'm Bad, I Need Love, Go Cut Creator Go

4. Off the Wall (Michael Jackson, rel. 8/10/79)

It seems funny to say it now, but his career was thought to be dead. Even more dead that it appears to be at the moment, with his face all chopped and bleached, with child molestation charges as plentiful as the Los Angeles air has smog. He was going to be another Leif Garrett, probably, or Shaun Cassidy, a footnote. Whatever happened to whats his name from the Jackson 5? The critical and financial failure of The Wiz -- in which he'd appeared the year before as the Scarecrow -- didn't help. Enter Quincy Jones, the disco era, and one pissed off 20-year-old Virgo. What results is a masterpiece. Dude had Stevie, McCartney and David Foster writing songs for him. It is impossible to leave this album in a bad mood.

Songs you should know: Rock With You, Don't Stop 'Till You Get Enough, I Can't Help It

3. Midnight Marauders (A Tribe Called Quest, rel. 11/9/93)

Things I remember as clearly as I remember anything: The day I bought the cassette. The first time I heard it in its entirety. Tripping off the bass kicks on "We Can Get Down." Buying it on CD a few months later. Listening to "Electric Relaxation" for hours at a time. Staring at the cover for days, trying to name every rapper featured. The first time I saw the video for "Award Tour." Arguing with some crazy girl over the dilemma posed in "Sucka Nigga." Hoping that one day I'd grow up to be as cool as Q-Tip. Digging through my parents' vinyl, trying to find the original samples. Spending a late night out with my boy Shawn that was eerily similar to the scenario described in "Midnight." Being amazed at the effortless chemistry between Tip and scrappy co-star Phife Dawg. Many people prefer their previous album, The Low End Theory, but to me, it's no contest. Marauders is more assured, hits harder, and, along with The Chronic, is possibly the most universally respected rap production made in the last twenty years. It gave me permission to be me.

Songs you should know: Award Tour, Electric Relaxation, Oh My God

2. Thriller (Michael Jackson, rel. 12/1/82)

This is like describing the merits of oxygen. I know my limitations.

Songs you should know: Thriller, Beat It, Billie Jean

1. Talking Book (Stevie Wonder, rel. 10/27/72)

C'mon, now. How did you not know that Stevie Wonder would find his way to the top of this list? This is the only album that I own on cassette, vinyl, and CD, as well as the internet. I discovered it sometime in high school and it seems to follow me wherever I go. I directed one of my own plays as a freshman in college and closed it with "Blame It on the Sun." Made it through a disappointing relationship thanks to "Looking for Another Pure Love." (Jeff Beck's guitar solo here is one of the most beautiful things I've ever heard in my life.) Wooed my wife with "You Are the Sunshine of My Life." And I refuse to die until I learn how to play "You and I (We Can Conquer the World)" on piano.

Over Thriller, you say? Better than the album you compared to oxygen, you say? Well, Thriller makes me appreciate greatness, but Talking Book makes me want to do something great. It, like many of the works listed here, was the work of someone who finally burst through after knocking on the door so long. And that encourages me. Because I'm still knocking.

Songs you should know: You Are the Sunshine of My Life, Superstition, I Believe (When I Fall In Love It Will Be Forever)

The next 10 (for those who care): ATLiens, OutKast; The Beatles (The White Album), The Beatles; Late Registration, Kanye West; Licensed to Ill, The Beastie Boys; The Miseducation of Lauryn Hill, Lauryn Hill; New Edition, New Edition; Only Built 4 Cuban Linx, Raekwon the Chef; Pisces, Aquarius, Capricorn & Jones Ltd., The Monkees; The Revival, Tony! Toni! Tone; Speakerboxx/The Love Below, OutKast.

Wednesday, December 19, 2007

oh, what a night (c) Missy

Last night was bananas.

The home team went out on the town to check out Cornel West and Tavis Smiley in Hollywood. The former was promoting his spoken word CD, Never Forget: A Journey of Revelations. It was a crowded but laid back club vibe, DJ Rashida killed the ones and twos. They played four tracks from the CD and Cornel West commented on each of them, some of his comments turned into mini-dissertations. The knowledge given out was totally appreciated and validated a lot of what I had been thinking.





Then, afterwards, I met David Ritz, author of a host of well-known black music biographies (most notably the one they used for the Ray Charles biopic, and of course, the book I've been obsessing over since high school: Divided Soul -- The Life of Marvin Gaye. I met Levar Burton, which was a trip because I was named after him. Those pics are on the MySpace page. Moms was a big fan of Roots when she was carrying your boy. Hence my middle name. I had an extra cool exchange with Anthony Mackie. Then, came this.





The zoom is ridic on the last one, fa sho, but it was kinda crowded getting to Dr. West and wifey did the best she could. Then, we sat and danced to the 80s and 90s jams and watched some of our hype peers do the Kid N' Play, the wop and the Roger Rabbit. (Amongst other classic moments.)

AND MY PISTONS JUST BEAT THE CELTICS IN BOSTON!!!! Just left a message regarding the game on Michael Bivins's MySpace page. We gangsta like that. They want to come up w/ some new East darlings every year. But we're the dudes. Just face it.

I'm going to have a podcast soon. Probably after the New Year. More details to come. I have the name and the basic concept. But I'll let you know the full, when I have the full.

Monday, December 03, 2007

The most beautifullest white woman of them all



Elizabeth Taylor has been on my mind the last couple days. It started when I was watching the DVD commentary of The Graduate the other day and Mike Nichols was talking about the experience of directing Taylor and Richard Burton in Who's Afraid of Virginia Woolf, and what a contrast that film was stylistically to The Graduate, which he filmed the following year. (The fact that these were the first two films of Nichols's career speaks to what a beast he is -- and continues to be -- as a director, but I digress.)



So that got me thinking about Virginia Woolf and what a great film it is, and how long it's been since I've seen it, and what an impact it made on me when I first saw it in high school. (I really do need to cop it on DVD.) There is a scene in my romantic comedy, When It All Falls Down, that is seriously indebted to it. the main characters, Kenny and Jamilah, have recently broken up, and are bitter at one another, yet still, obviously in love. Kenny reveals an embarrassing secret about Jamilah to her family (in one of those moments where comedy segueways violently into drama) and one of Kenny's retorts, pulled directly from this movie (and Edward Albee's play) is, "And that, my friends, is how you play Hump the Hostess."



Sometimes I get fixated on people and they become omnipresent in my world until I stop thinking about them. My Netflix movies showed up Saturday, and one of hers was there -- The Sandpiper -- which I've never seen, but look forward to. A Place in the Sun, another tremendous influence on me in my film school days, played on Turner Classic the other night, and another of her films, Butterfield 8, (for which she won her first Oscar) comes on in about an hour.

Then, today comes this news item. Only Liz Taylor could do a show in the middle of the strike and get love from both sides. And man, her and James Earl Jones, on the same stage? Where was I at? It's not like I had $2500, but I'm saying.

We just don't have stars like her anymore. She matured from child star to ingenue to true actress (I could imagine cats was clowning when it was announced that she was going to play the frumpy, alcoholic, older Martha in Virginia Woolf. But she gained 35 pounds and came with it, to win her second Oscar.) Her 575 husbands, legendary glamorous gowns, tireless charity work for AIDS, and most of all, the amazing performances she gave in film after film (although it took me years to forgive that Cleopatra b.s.) Much respect.

As for me, I just got done watching the Patriots squeak by the Ravens in a heck of a game on Monday night. My Bengals are frazzled and stumbling as usual. It took my alma mater's upset of #2 West Virginia to make this a not as horrible football weekend.

The short script is just about done. I renamed it Parkside Boulevard, after a street not too far from my house. I grew up on Freeman Street, but hey, face it, Parkside Boulevard sounds better. I've got so many ideas for other stories, scripts, songs, etc. But with the day job and stuff, time is short. I just keeping jotting them down. They will come forth eventually.